A NOD IS AS GOOD AS A WINK TO A BLIND, STARVING HORSE

NO SCARY MAKEUP REQUIRED

Danny Trejo.

THOUGHT FOR THE DAY

OLD NOTE CARD

MIKE PINOCCHIO

APPARENT COLLABORATION WITH WARBY PARKER

SEPARATED AT PUBERTY

Phyllis Newman and Erin Gloria Ryan:

DOTTY

OLD POSTCARD

NOSTRIL JEWELRY

SMART WOMEN STUPID CHOICES

Charlotte Austin.

OUTDATED ROUGH SKETCH REJECTED BY THE NEW YORKER MANY YEARS AGO

ON MY CARTOON TURNTABLE

I HOPE HE DOESN'T ACCIDENTALLY GO TO THE WRONG PLANT

SHADOWY FIGURE

MY LATEST NARRATIVE CARTOON

EYES ON THE PRIZE

SEPARATED AT PUBERTY

George Washington and Margaret Atwood:

TYPEFACE HUMOR

ANOTHER UP-TO-THE-MINUTE CULTURAL REFERENCE

MULTIPLE-DIPPING

I did this for a gallery show in 1986. I think before that I did a version for the Philadelphia Daily News to accompany an article on Fairmount Park. Before that it was in a comic strip proposal that never went anywhere, called Minimal Mouse.

Then in 1989 I used the idea for the first Fusco Brothers Sunday strip, turning Minimal Mouse into Axel Fusco.

It also kicked off the first Fusco book collection.

SOMETHING FOR THE EASILY FRIGHTENED

SEPARATED AT PUBERTY

Anton Chekhov and Eric Clapton:

MORE UNSOLICITED VISUAL FACT-CHECKING AIMED AT THE NEW YORKER

The cover of the latest New Yorker features a clothesline stretching between the Flatiron Building and (presumably) another building.

This is all well and good, but the clothesline appears to be a non-retractable, single line.

How are you going to get your long johns back into the Flatiron Building now, Eustace Tilley?

EITHER THE GUY IN THIS NEW YORKER CARTOON HAS HIS THUMB ON THE WRONG SIDE OF HIS HAND, OR I DO

THE WORM HAS TURNED

PRODUCT PLACEMENT

SHORT FIX

REAL BURMA-SHAVE POETRY

FAKE BURMA-SHAVE POETRY

BONE STRUCTURE HUMOR

WALL ART FROM... HOME DEPOT?

My attorney needs to see this.

SECRET PIG LATIN

Translation: BOTTER.

MAKE A DRAKE

HOUSE CALL